Work lighting in three jobs. Floodlights on a tripod cover an area so a room can be worked in properly rather than around a shadow — the twin-head work light runs 80 LEDs at 8000 lumen with a 180° spread, close enough to daylight that colour reads true. Cordless work lamps and construction lights go where the task is, on the same battery platform as the tools. The surface control light is a different instrument altogether. Its optics throw a tightly focused cone across a wall at a shallow angle, which lifts filler ridges, sanding marks and roller texture into plain sight while they are still cheap to fix. Under an overhead lamp those defects stay invisible until the paint is dry and the customer is standing in front of them.
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